A conversation with Professor Henry Daniels on the transdiciplinary possibilities of dance improvisation and rehearsal methods.
Laboratorio de Yeso, by oncogrrrls, curado en la exposición colectiva Biomedia: enfermedad, arte y medicina, en el Museo de Arte Contemporáneo de Querétaro, Mexico.
Gypsum Lab, by oncogrrrls, curated into the collective exhibition: Biomedia: illness, art and medicine, at the Contemporary Art Museum in Queretaro, Mexico
Cosense Study #2 as an urban intervention around the Ex-Teresa Art Center, Mexico City. Part of the working group Direct Action and Performance Clinics at the Encuentro, 2019, of the Hemispheric Institute.
Cosentir, num. 2 toma forma como intervención urbana alrededor del Centro de Arte Ex-Teresa, en Ciudad de Mexico. En colaboración con el grupo de Acción Directa y Clínica de Performance parte del Encuentro Hemisférico de las Américas
ACT III Rencontres Bandits-Mages. Pollinactions.
Residency/workshop/Festival in collaboration with Corazon de Robota.
Cosensing, we are already silkworms at Bandit-mages: an amalgam of soundwaves, ghosts, silkworms, maths and feminist science-fiction
Save the dates!!!
August 13, 16, 17, improbable (Daniel Bear Davis and myself) are presenting Des-Echoes at Summer Works Festival, in Toronto.
How do we know the “other” within? In this physically dynamic piece, two inextricably intertwined bodies navigate form and variation in their shared skin. Des-Echoes is an exploration of our relation to the parts that we hide, disassociate from, or ignore. Two bodies are torn apart, conjoined, dismembered, and gathered again in a dance of generative friction. [Des-Echoes] is a complication of the Spanish, “desechos”, meaning “rubbish”, “waste”, “outcast”.
an online talk/workshop on cancer justice and creative practice offered at the health activism, creative practice and medical humanities symposium.